“J’aprende ton presence a le vent.”

S.E.M.

Bella Principessa in maxima brava … j’escrivere a te.

J’aprrendre ton presence comme le vent.

Je suis in le premiere place a la Napoli, room 302 in the UNA Napoli. And i think of you, and write to you in three tongues.. But from one heart. My Australian one. Which you stole the day we first met. I was overwhelmed then. And salved. In the way that Italia has saved me from my past, and that time, and … now i move towards you.

I look north, with the statue of ‘il munocipio di napoli’ to my left, and i try to stand … firmly but lightly looking toward you in Paris.

But instead my eyes well with tears.

When you believe that these words are mine, you will know that I am yours.

Benjamin George Griffin.
Naples, Italia.

erasure.

Time passes.
Memory fades, memory adjusts, memory conforms to what we think we remember.
Joan Didion, Blue Nights
quoted in an LARB review

I’m thinking now of erasure. That way that you can disappear from someone’s world even though you’ve just met them.

I often felt like this. Invisible and ghostlike. That great passions, intimate dreams and rare inspiration can so quickly evaporate in morning light. This last time reduced to a text message.

I’ve evaporated. Like so much red wine left at the bottom of a glass… Given a week, where angsty recollection, dreamy midnight pauses and the soft stubbornness not to clean the glasses and clear the table leave that time spent together a rippled dry plum red at the bottom of a glass.

Blood. Dead and dried, two metres away clinging to glass like the memory; but when approached still have the scent of that initial romance. Still, in it’s deadness when breathed recall that rarer time.

I have five poems.

But I know from too much experience that any effort to recall this time- To fix it in words, is its end. That drawing a mask from the feminine mystique constitutes a definitive symbolic violence– driving real love away with a symbolic replacement. Is it too much to turn a real moment into forms? Or is it never enough?

modern new wave

Those of you who know me might know that i have an unnatural attachment to mixtapes, whatever form they turn up in. Here is a find. I stumbled across this playlist rolled together by a guy(girl?) that calls him(her?)self ‘Datasuck‘ … I love being rewarded when I click blithely around, and the serendipity of this little find endears me to it all the more: The only reason I wound up discovering their cute sense of humour, and delicious sonic tastes was that it included what is now my favourite track from the new Smashing Pumpkins album.

This mix is wonderfully put together, passing through cute almost self effacing almost 8bit, through a driving polished house remix’, then reaching a sad creshendo in the final few tracks, finising on that new SP favourite of mine. I has left me simultaneously elated and nostalgic.

I don’t know if it’s ‘New Wave’, but if it is then it’s definitely more ‘modern’ for all the extra texture there wasnt in 1989.

And I love it.

It’s well timed. For me at least. It’s been a tough couple of weeks for me (or months? or years?) so it’s particularly pleasing to be reminded, right now, of how I adore the witching hour, and all these dreamy droning tones.

I’m wondering if I shouldn’t put up a little listening station with a microfm transmitter somewhere…

Consume

Rom:  …Then love-devouring death do what he dare;
It is enough I may but call her mine.
Friar:            These violent delights have violent ends
And in their triumph die, like fire and powder,
Which, as they kiss, consume. The sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite.
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.

– W.S. R & J 2,vii 

i flipped on Baz’ version of R&J
a
nd half paid attention
treating it more like background radio
not having a radio here

these words leapt out
for some fairly obvious reasons

and reminded me of every old love
(and one or two)
(particular painful)
(in particular 

fire and powder
as they kiss
consume

The second line of final couplet
strikes me as forced

(but i’m probably just resistant)
(to restraint)

Jupiter Optimus Maximus … REVENGE!

IOVI OPTIMO MAXIMO VINDICTA
Revenge for Jupiter, best and greatest.

QUOD LICET IOVI, NON LICET BOVI
that which is permitted to Jupiter, is not permitted to the ox

– Latin Proverbs

I get bombarded with “love and light” messages and posts, particularly on the theme of “forgiving and letting go” of negative experiences, interactions and emotions as the path to happiness. Superficially, that seems like a lovely idea – but does it really work in a practical sense?

– ‘Negative’ emotions and how to use them, Kate Douchkov, Inspire Achive

Too often our laid-back country we are held hostage to the idea that ‘She’ll Be Right’, or a downright English notion that we should just wear a stiff upper lip in the face of our troubles. Inevitably life, or fate, or God, or the great absence of God… Life… laughs at such cliché, and we are all called to face the true depths of our humanity, to question our faith if we even had any to begin with.

In these times, the platitudes offered by common sense, pop-psychology or a pseudo-Christian subservience fail us. Even hurt us. And if they do, they do it a lot.

I approve wholeheartedly of the wisdom in the above-quoted article in this regard.

Deep feelings can’t be dealt with so shallowly, they must be met with depth.

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